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coffee-and-tea-with-sara:

when that one person gets online and you are like

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when you are afraid or shy to talk to that one person cuz you feel like you r are bothering them

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peril:

Clearing Up, Coast of Sicily (1847), oil on canvas, The Walters Art Museum | artwork by Andreas Achenbach
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saturnsdaughter:

The fortune-teller, Nikolai Nikolaevich Karazin, 1842-1908
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I’ve been reflecting about some of the things I’ve said to people in the past. I’m currently thinking to myself, “Did I really say that? Really, did I say that?” 

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nycartscene:

thru Aug 10:Tara Donovan Pace Gallery, 534 W25th St., NYCPresents two new large-scale sculptures comprised from index cards and acrylic rods, respectively. With these works, the artist continues to explore the phenomenological effect of work created through the accumulation of identical objects. Untitled (index cards), the first such work created by Donovan, is a 13’ x 25’ x 30’ sculpture in eight parts comprised of several million 3x5” white cards stacked and glued into scores of interweaving columnar forms combining to reach a summit on each element. Also featured is a newly completed untitled sculpture made with thousands of acrylic rods. Donovan spends months or even years searching for a method of assembly that allows the simple and immutable characteristics of the chosen material to generate complex, emergent phenomena which keep the viewer cycling between perception of the parts and the whole between the forms themselves and the light that surrounds and divides them. The work draws on both Minimalist and formalist histories, while creating a radically new form which embraces complexity and iterative processing.